20th of March at 6.30pm
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Laura Accerboni’s poetry has much of water: quiet, peaceful, yet ready to rise with an unexpected power, a primordial force both creative and destructive, gentle and cruel. And in her verses, there is also the mutable and protean nature of the liquid element, which by definition has no shape of its own, adapting each time to the object that contains it—vase, bottle, crater, riverbed, or ocean floor.
The texts of Il prima e il dopo dell’acqua (Einaudi, Turin, 2024) embody the mutability of the human soul, revealing the eternal surprise that awaits us when we discover a new facet of our inner depths—whether it be the need to reshape our homes and our coexistence during the pandemic or to rethink unsuspected aspects of the human soul, which perhaps we ourselves would prefer to keep hidden.
Like the corals and anemones that color the seabed, Laura Accerboni’s words trace the hidden geometry of human existence beneath the liquid yet not always transparent veil of water.
